She Blinded Them With Science Exhibition
She Blinded Them With Science is a body of work created by artist Andrea Tosten using text and pattern to explore social constructs, binary thinking, and the nature of existence. Tostenβs works on paper incorporate the processes of hand-lettering, drawing, origami, and the zoetrope. Working with a minimal amount of materials is important for her to convey a silent strength with a sense of the ephemeral nature of each moment in reflection upon a prominent figure of her culture, Queen Nanny, leader of the Windward Jamaican Maroons, who was almost erased from history.
In her research of Queen Nanny, four words stood out: ohemmaa (means queen mother in Kromanti (the language of the Jamaican and Surinamese Maroons heavily influenced by Twi (the language of Ghana)), xaymaca (means land of wood and water in Arawakan (the language of the indigenous people of South America and the Caribbean)), abeng (means horn in Kromanti), and gumbay (means drum in Kromanti). Nanny was an obeah woman (a woman who practices traditional African religions) who is portrayed historically as having used her powerful science to protect her people.
Tosten’s thoughts and emotions connected with the sounds made by the abeng and the gumbay, her continued study of Queen Nanny, and exploration of her motherβs homeland of Jamaica inform the composition of the work in this show. The video included in the exhibition (with music by Dashon Moore and edited by Ciara Elle Bryant) features sounds by the abeng and gumbay and distorted footage from Moore Town (formally Nanny Town) that she filmed during a trip to Jamaica at the end of May in 2022.
She Blinded Them With Science is her sixth solo exhibition. Tosten often utilize letterforms, paper, and sewing to recontextualize and conceptualize her Catholic upbringing, background, and where she fits in how history has unfolded.
I want to be active and present, a part of my community from my perspective as a Black woman. I am often engaged in an open exploration of social constructs, how they affect me, and how I can shift and change them. As a maker, I’m very into technique and love to indulge in perfection. Even as I work towards that perfection in a very technical way, the materials are going to do what they are going to do. Visual conversations between me, community, gender, race and the material form the identity of my work.
Andrea Tosten